Monday, 31 December 2012

Another year over

As those of you who follow me on Twitter or in real life will know, I celebrate New Year. This year I had some very enjoyable festivities with some people, involving a certain well known drinking game.

For those of you who don't know, Ring of Fire is a drinking game, named after a Jonnie Cash song made famous by Ben. The rules are simple: every card in the ring carries a rule. As in a standard deck there are thirteen cards in a suit. One rule for each card. For anyone who can instantly remember 13 rules it's simple. For everyone else it's like having to play Star Wars Risk without being able to refer to the manual. There are more restrictions than the Labour government imposed on civil liberties. It makes drinking into work.

Basically, making numerous rules that no-one can keep track of to force alcohol on those who don't want it and deprive alcohol from those who do is good for no-one. People even had to read instructions on their phones every time a card was drawn, much to the emboringment of proceedings.Of course, I may just be bitter because I kept getting the "make a new rule" card and couldn't think of anything, making me the boring twat of the group but mleh!

This was swiftly followed by a game of "never have I ever..." in which the player names something they have never done and anyone who has done that thing has to drink. As someone who has never done anything of any interest, I drank very little. The irony of all this is that had I been simply drinking of my own accord I would have emerged significantly more inebriated at the other end than I did in this case.

All being said, I had a good night. Being out of the house was an improvement on my expectations.

After a while we went to a club which wasn't too packed or expensive. There I met a guy I had a dance off with during my last night out before I returned to uni in second year, a year and a half ago. We recognized one another and paid tribute to each others' dance moves. Much to my shame, he revealed he is in his thirties, at least a decade my senior. Any of you who knows anything about the way I dance or the state of my physical fitness will understand that there's no way I'll be winning dance offs in ten year's time. Any way, the chat was amicable, considering our past death match (of dancing).

Now on to music. I don't believe any kind of music is demonstrably better than any other in any relevant sense. Even in film I think it will probably be agreed upon in most societies in most times that, say, Anthony Hopkins, is a better actor than Megan Fox, but I think music is entirely contingent on society and circumstances. Popular music is only so because of the context in which it is born. This being so, the pop song "Smells Like Teen Spirit" by Nirvana makes my laugh, as so often its fans act as if they subscribe to some kind of alternative or act as if it is in some way better than mainstream music. When it came on this evening I realized it's just a single repetitive hook. Bo bo bo boooo ba ba ba baaaa bo bo bo boooo ba ba ba baaa. This is the same as any pop song by Rihanna or One fucking Direction. People can like whatever music they like as far as I'm concerned, but when people like music full of repetitive hooks then condemn other pop music for that same reason they need to shut their faces. I just hate people who pretend to be alternative. At lease other pop singers can hold a note rather than just shout *cough* Kurt Cobain *cough* Rant over.

2012 was a year that was built up to for a long time. "The Olympics" they cried, since 2005. "The Apocalypse" they cried, "The Jubilee" they cried. 2012! The year that was hailed from afar! But when it came it was pretty much the same as any other year. Except for the fucking Olympics and Jubilee. There was a bit of a recession, but not enough of a recession to be interesting.

But for me it was a good year, one of the best in fact, and will be remembered fondly. Any way, these are my reflections at this moment in time, sorry it's not more interesting. Headline of the Year 2012 is on its way later this week. Thank you for following me this year, my dear reader (singular). I think I will be boring you with sub-par writing for years to come.

Sunday, 23 December 2012

"So tell us, Alex, was the Hobbit the Tokien Phantom Menace?"

As those of you who follow me on Twitter or in real life will know, I love to say "I told you so". With the release of the Hobbit, I have decided that in the spirit of inferior additions to popular franchises, I will write a follow up to my popular 2011 blog post "The Hobbit: Tolkien Phantom Menance?".

Firstly, I have to say this: The Hobbit is nothing like The Phantom Menace. Beautifully rendered, well acted, solidly entertaining and consistently enjoyable, The Hobbit is a good, well made film. Yet it suffers from a couple of the same problems. 

I don't want to blow my own trumpet (if I could I'd never leave the house), but everything I predicted about The Hobbit has come true.

Upon writing, on April 4th 2011, I bemoaned the decision to slice the Hobbit in two. That sounds like what would happen if there was a Lord of the Rings/Saw crossover, but that may have actually been less horrific than this decision. What I didn't know at the time is that Jackson and team would be sharpening their swords once again to chop it into three. This remains the biggest problem with An Unexpected Journey in that there's just not enough going on.

The fact that the Hobbit was never going to reach the heights of Lord of the Rings was true from the start, and is down to the source material. The lighter tone (perfectly captured, I might add) detracts from its epicness, but this is necessary. Basically, they should have made the films the other way round to avoid anticlimax. As I said previously "How is seeing Sir Ian take Tim from The Office to steal some treasure going to compare with the epic battle with the Balrog, or the painstaking crawl up the slopes of Mount Doom?" If you want to add grandeur to a story, hiring that bloke who played various nondescript, interchangeable characters in various things is probably a mistake. Also, having a Goblin King that resembles Boss Nass? You would have thought Star Wars Episode 1 imagery would be avoided at all costs.

The modest source material is comparable to Star Wars prequels being tied down by their explanatory duties, but contrary to Star Wars, the Hobbit turns its prequel nature to its advantage to explain aspects of the Lord of the Rings in a way that wasn't done in the book due to it being written first. Also, the fact that the book was written first means it's a good story in its own right, rather than just a path to what follows.

I also complained about the number of Lord of the Rings actors who were signed on for the Hobbit, whose characters don't appear in the book. I stand by this, and since writing my original blog more were announced such as Christopher Lee and Orlando Bloom. The things in part one that were additional to the book were brief and felt peripheral to the main story, but I still believe they might pay off more substantially in part two and three. But as a standalone film, the scenes in part one with Galadriel, Radagast and Saruman felt irrelevant and didn't go anywhere. (Although as a huge fan I still enjoyed seeing these event put to screen)

So while there are some points on which the Hobbit was like the Phantom Menace, to brand it a failure in the same way is innaccurate and unfair. Its lighter tone is to be expected, and its only real failing is the fact that not enough happens due to being split in three to make more money, slightly akin to the Phantom Menace.

The final point on which I was right was that the Dark Knight Rises would be awesome. I told you so.

Thanks for listening to how right I was. For more accurate future predictions keep reading my blog.


Thursday, 6 December 2012

Equality in succession


No sooner had the dust settled on Kate Middleton's uterus than it was announced that the long-awaited change to royal succession laws has been approved by all 16 “realms of the commonwealth.”

This long awaited change marked a crucial step in the liberalisation of the UK, as the position of head of state is no longer granted to the oldest male child of the current monarch, with no election or debate, to rule over us until death. Now, the monarchy is granted to the oldest child regardless of sex...with no election or debate, to rule over us until death.

It's claimed the bill “ends the discrimination of women in royal succession”, but this isn't strictly accurate. 99.9percent of women in the UK are still discriminated when it comes to the monarchy, so are 99.9percent of men. The long process of changing the rules of succession was embarked upon for the benefit of no living person. In nine months we will see whether or not it will become relevant after the death of William, but there's a 50percent chance it won't.

With the royal pregnancy marking the inevitable next step in the world's most upmarket soap opera, it almost feels like these archaic sponges are spawning offspring for the purpose of pissing off republicans, and keeping their personal lives in the media for a few minutes longer. Soon there will be the messy divorce, and the inevitable appearance on I'm a Celebrity... I'm dreading the live birth, with military parade and tedious Huw Edwards commentary.

If you're going to defend an institution like the monarchy, it's probably because of tradition. If you're going to tinker with it and change the rules, you're acknowledging that we can alter the way we choose our head of state to suit our times. With this in mind, it seems like now is the time to put an end to the monarchy. People argue it creates unity and patriotism, but perhaps people would feel greater allegiance to their country if it recognised their eligibility to be head of state. This change makes no difference to anyone who is currently alive. If the government cares about equal opportunities, it should abolish the monarchy so anyone has the chance to be head of state, regardless of gender, race, social class, religion, sexual orientation or political views, so we can proudly say we have more chance of being king or queen than a foetus.

Thursday, 18 October 2012

King of Popcorn

Early this year, for better or worse, the noble people of Bradford West elected one of the UK's biggest political characters back to Parliament. Like him or loathe him, George Galloway is without a doubt a strong voice for the causes he represents, so the film industry should now be quaking in its money that Galloway has set his sights on them and their overpriced snacks

Apparently one of the most pressing concerns to Galloway's constituents is not...ok, I admit I was going to find some more important local Bradford news stories at this point, but after a trawl through Bradford's local newspaper, I see that the price of cinema snacks may actually be quite high up their agenda.

In this interview with the Daily Politics, which Dead Ringers once described as "CBeebies for pensioners", Galloway explains why he's table an Early Day Motion against cinema confectionary prices. The precise wording of the motion is as follows

"That this House deplores the profiteering by cinema chains in the provision of catering to their customers where the prices of sweets, drinks and ice creams in the foyers are many times those on the high street; notes that this particularly affects families with young children at whom much of the merchandising is aimed; calls on cinemas to stop exploiting their customers by insisting that the stalls and franchises inside their buildings reduce their prices to a level commensurate with local shops and restaurants; and congratulates the cinema goers who are campaigning for fair prices."

Not only is Gorgeous George, and by gorgeous I mean borderline insane, making a complete fool out of himself by using parliamentary time on something so petty, he's also demonstrated a complete lack of understanding of the subject in hand.

His appearance on the Daily Politics begins with him being asked why he is suddenly interested in popcorn and he replies "I had to buy it". That's a lie, isn't it George? You didn't have to buy it. I go to the cinema on a regular basis and I never buy popcorn. If you were at a cinema with an enforced popcorn buying policy, you should take your business elsewhere. That's the beauty of competition.

He blames having to buy popcorn on his kids. "You can't drag your kids, saying 'I want popcorn, I want popcorn...you have to buy it". Again, not true. What you're essentially admitting is that you're tabling an Early Day Motion attacking cinemas because of your own parental failings. Telling your children they can't have everything they want is a crucial part of being a parent. Sure, they might cry this time, but next time they will know that when you say they can't have something you mean it and that they can't have everything they want all the time. Otherwise you'll have greedy, materialistic, spoilt children, which will probably mean you have to disown them George.

The problem is that if Galloway had researched this for, I don't know, eight seconds, he would know that cinemas hardly make any money off ticket sales. Hollywood charge up to 90% of the ticket price for distribution. Either Galloway expects them to run at a loss, or they have to make their money back elsewhere, i.e. on snacks and drinks which people purchase voluntarily. His suggestion that people sell popcorn out side the cinema for customers to take inside shows his complete lack of knowledge on the subject. If this happened, cinema ticket prices would shoot up, making the cinema less accessible for everyone.

The way I see cinema snacks is a bit like lottery tickets. When something's funded by the lottery it's great because it probably means money is going somewhere it wouldn't if left to the market, but it's also money people have given voluntarily. If people want to spend large amounts on cinema snacks and subsidize my cinema ticket as a result, great! It's a system that works for everyone.

Part of Galloway's problem may be that he thinks "they throw you out if you bring your own [food]". Not at any cinema I've ever been to. Some of them have policies against your own food, but they never enforce it. You know why? Because people will take their business elsewhere. Probably when Galloway tried to take his own food in he did it while shouting about food prices and claiming to be fighting against the fascistic confectionery purveyors. Plus they were probably looking for any excuse to get rid of him. "George Galloway's here? Shit. How do we get rid of him? Is he carrying drugs? Does he have recording equipment? Shit! I know, get him for the bourbons!" 

What I do when i go to the cinema is put my previously bought food in a non see through bag. Clever, right? Once you're in the cinema it's too dark for the gestapo to see what you're eating when they do their mid-film inspeation.  Galloway appears to think they search you on the way in like that annoying Orange ad. Just replace "phone" with "food" and you get the picture.

I don't like the price of cinema snacks, but there's a reason for it, and if George Galloway was actually serious about doing something about it he would be fighting the distribution costs of Hollywood studios, not the price of snacks. He needs to do some research, not table EDMs to make up for his parental failings.

Saturday, 13 October 2012

Yet another thing on religion.

As those of you who follow me on Twitter or in real life will know, I'll do quite a lot in the name of politeness. If I go into a food shop and they don't have what I want, I'll still buy something to be polite. I don't like using toilets in restaurants or pubs where I haven't bought anything. Except Little Chefs. I don't think anyone expects you to eat that stuff. But even I won't renegotiate my metaphysical or theological beliefs in the name of politeness.

It's a strange thing, to try and change someone's religious beliefs in the street. I wonder how many people it actually works on.

I know that for most British people religion isn't a big deal. They don't think about it. If pushed they'll tick Christian, because, you know, they have a Christmas tree and sort of think there might be something there. But are these people going to be persuaded to join a religion by a leaflet and a slightly disgruntled stranger who looks like they gave up washing for lent in 1983 and haven't got back in the habit?

I make these generalizations based on the religious groups I frequently see on the streets of Sheffield. On a normal Saturday there will be a Muslim group and a couple of Christian ones. A regular Christian group included a collection of angry hard line nutcases with a "We must all come before the throne of judgement" sign who believe "drunkeness" is a hell-worthy sin that no amount of good deeds can make up for. So I could discover a cure for AIDS, but go to hell for my celebratory magnum of champagne. Although I admit this is unlikely to happen. I'm not even looking for a cure for AIDS.

I also wonder what benefit it is to a religion to sign up people who are swayed so easily, by a couple of people shouting at them in the street. Sure, you've got them on your mailing list and they might come along to a free coffee morning, but as soon as the Mormons come knocking they'll up sticks to Utah, and coffee will be a thing of the past. And I hear the Mormons don't let their prey go so easily so they won't be coming back any time soon.

This doesn't really have a point to it. I guess I just don't think trying to nag people to join your religion in the street is a good use of time. There's not really much chance of changing anyone's mind now is there? So why do it when you could be doing something more worthwhile, like good deeds, masturbation or collecting stamps?

The reason is simple. People like to say "I told you so". As those of you who follow me on Twitter or in real life will know, I like a good "I told you so". So much I actually keep a recording of everything I say so I can reference it back at a later date. But I have no intention of doing it on Judgement Day.

The religious who clog up the already busy streets with their meager attempts at conversion do it because they think that when we all die and are faced with their deity, and he sends everyone except them to an eternity of torment they can say "ha! Told you so!". Which is the worst thing about being an atheist. You never get to say "I told you so". Your only reward is not wasting half of the only life you have on worshiping iron age imaginary characters.

But even if these people's religions are true, you would have thought saying "I told you so" would be unnecessarily adding insult to injury. When I've been told I'm about to be tortured for ever, someone saying "well, we did warn you" is just gonna piss me off. And if this isn't their intention, they should make a decent effort to convert people rather than their half arsed, angry, misspelled leaflets. You should put your whole arse in. I'm sure that's in Leviticus somewhere.

For now I'll put my faith in the idea that if there's such a thing as a god who in whose company I'd like to spend eternity, he wouldn't send messengers who look like an amoeba's embarrassing cousin with a message as incoherent as the Star Wars prequels in Welsh.

Tuesday, 25 September 2012

Prometheus and the Vatican


Ridley Scott's mediocre return to sci-fi, this year's long-awated definitely not an Alien prequel but actually an Alien prequel Prometheus was not a particularly good film.
While Alien mixed brilliant sci-fi themes and ideas with pure horror, and Aliens blended the genre with first rate action, Prometheus was happy to settle for some second-rate pseudo philosophical navel gazing set in space. Its skepticism of science and support of "faith" through its religious protagonist should be the perfect message for the religious right, but it turns out even the Catholic Church weren't happy with it.
The Vatican's newspaper, "L'Osservatore Romano", declared that the film "'mishandles the delicate questions raised by… the battle eternal between good and evil in yet another attempt to steak the secret of immortality'. Finally I've found something on which I agree with the Vatican. Of course, they then add a paganesque warning that it's a "bad idea to defy the gods" at which point we're reminded how backward and crazy they are.
Unfortunately for Scott even the people he was trying to appease with his film aren't impressed. Maybe by the inevitable Prometheus 2 he will realize that vilifying scientists and making a sci-fi film with a knee-jerk conservative ethos isn't the way into nerds' hearts.

Tuesday, 18 September 2012

Carnage

Carnage, the company responsible for a variety of infamous student party events has caused controversy in Sheffield- home of the much criticized war memorial urination at one of Carnage's events- is ruffling feathers once again, this time with a "pimps and hoes" theme.

The criticism is in the form of accusations of sexism at the theme. This is probably true, much in the way any gendered theme, such as doctors and nurses, vicars and nuns etc. is sexist as it presumes gender roles assigned to certain jobs (although Carnage don't specify which side of the theme men and women are expected to follow, and I doubt they'd have a problem if men turned up as "hoes" and women as "pimps"). However, the criticism that it trivializes violence against women is unfair. If it was a beaten wife theme or some suchlike they might have a point. Violence against women is not a necessary prerequisite of prostitution, and to argue that it is could in fact be sexist in itself, as it implies that no woman who works as a prostitute does so as a result of a free choice, and only ever as a result of violence something which is simply untrue.

To mount this criticism of Carnage also seems a peculiar line of attack. "Carnage" is defined as the killing of a large number of people, yet the company use it as a positive thing, to suggest a particularly messy night out. This appears to be trivializing mass killing more than it's trivializing violence against women. Also, highlighting the disastrous consequences of a night out as something in its favour clearly suggests an irresponsible approach to drinking and could be said to encourage antisocial behaviour. While I believe in personal responsibility for actions, and wouldn't place the blame for the war memorial urination solely on Carnage, it seems that this would be a more apt line of attack.

A quick look at Carnage's website shows that it's not aiming to be classy. Endorsed by Loaded and Nuts, the website is full of pictures of various drunken behaviours and the sexualisation of young women. It makes no secret of its sleazy nature. Perhaps we should just trust people with self respect to stay away and let everyone else whore themselves out the violent pimp that is carnage.